Money Matters

Is voices.com playing a numbers game?

by Paul Strikwerda in Articles, Internet, Money Matters, Pay-to-Play 15 Comments

On February 11, 2011, VOICES.COM released new numbers testifying to the success of the company.

There’s every reason to congratulate the owners, David and Stephanie Ciccarelli. They proudly announced “$39,290,580 in Total Earnings by Voice Talent at Voices.com.”

Some commentators concluded that the data in the report are a summary of this company’s past year in business, but Stephanie Ciccarelli states:

“These numbers are based upon the last several years of data we’ve collected at the site.”

What does she mean by that?

Voices.com has been in business since 2003, starting as “Interactive Voices”. In September 2006, Interactive Voices became voices.com.

The new report speaks of:

155,915 All-time number of jobs awarded to voice talent.”

In 2011, voices.com stated on their About-page that they are “creating 6911 job opportunities on average, each and every month.” My calculator tells me that this adds up to an average of 82,932 jobs per year.

How did voices.com arrive at 155,915? The verbiage “All-time number of jobs” suggests that they started counting from the very first day of business. Was that in 2003 or as of September 2006? Let’s do the numbers:

155,915 : 7 years = an average of 22,273 jobs per year (2003-2010)

155,915 : 3 years = an average of 51,971 jobs per year (2007-2010)

And what about $39,290,580 in total earnings? Is that also “based upon the last several years of data”?

PERSPECTIVE

It’s impossible to put these numbers into proper perspective if we don’t know what time period we’re talking about. That’s exactly the problem I have with most of the numbers coming from voices.com. I’m not saying that they are pulled out of a hat, but they lack clarity and context and they don’t always stand up to simple scrutiny.

The same can be said about their “Annual Report on the Voice Over Industry.” It is not compiled by an established, independent market research firm, but by the CEO of voices.com, David Ciccarelli.

As long as we cannot independently verify the numbers, or get a clear sense of the time period during which these data were collected, I choose to look at these reports as marketing tools, more than anything else.

AVERAGE FEE

Stephanie Ciccarell broke down the $39,290,580 in Total Earnings by Voice Talent at voices.com.

On average” -she writes- “a voice talent made $252.97 per job” using their service.

I haven’t been keeping track of the voices.com numbers over time, but it would be interesting to see whether or not the average payment per job went up or down since 2003, and if so, by how much.

Stephanie Ciccarelli concludes:

“10,000+ people have earned a respectable income from doing voice overs with Voices.com serving as a key part of their marketing strategy.”

Once again, the numbers are vague and note that the term “respectable income” is not defined.

Here’s one scenario:

Let’s assume a talent lands one job per week on voices.com at $252.97. That would bring in $13,154.44 per year.

The talent decides to use the voices.com SurePay escrow system, at a 10% fee per job, costing him $1315.44. This brings the gross income down to $11.839.00. Subtract 10% for expenses and we’re left with: $10,649.10. Subtract from that amount $1504 in self-employment taxes and we arrive at a grand total of $9,149.10.

Would you call that a “respectable” income?

The 2011 Federal Poverty Guidelines of The U.S. Department of Health and Human Services puts the income level at $10,890 for a one person household.

Of course this is a theoretical example. Some voices.com jobs pay a lot more and some pay a lot less. No professional voice-over talent should entirely depend on one source to generate leads and make a living. At the same time, not everyone will land one gig a week using voices.com. Stephanie did write:

“10,000+ people have earned a respectable income from doing voice overs with Voices.com.”

In his analysis of the report, colleague Peter O’Connel comments:

Taking the Voices.com figure ($252.97), as a P2P industry average – that figure, I believe, doesn’t reflect what the voice over customer market “dictates”.

I believe it reflects what the voice over customer market “can get away with” with the help of the pay to play (P2P) business model.

ADDING IT ALL UP

There’s no doubt about it: voices.com has become one of the market leaders in online voice casting. That role comes with responsibilities. Market leaders have the clout to be trend setters and “power pricers”.

Voices.com has become more than a neutral playing field where supply meets demand. It has developed into a game changer that can write the rules of engagement by dictating the terms and conditions.

One of those conditions is “a minimum project posting requirement for any job posted publicly and this amount is $100.” By the way, this doesn’t mean that a voice seeker can’t go any lower than that. Voices.com states:

“If your budget is lower than $100 then you may post a job privately using the Request Quote function within our search engine or you may email talent directly with your project details and budget.”

Critics feel that the Pay to Play business model is in part to blame for the steady decline in voice-over rates and professional standards. Peter O’Connell:

I don’t believe or financially support any service in which voice talent “pays to play” i.e. pays a subscription to receive auditions. I believe such services lower the rate expectations of potential clients because so many voice talents who swim in the pay to play pool low ball their rates out of what I feel is a kind of sad desperation for revenue of any kind.

The pay to play model negatively impacts the voice over business and its practitioners, in my opinion.

It has been suggested that if voices.com is really interested in their members making a “respectable income,” they should start by raising that $100 minimum rate immediately.

Secondly, as of 2015, voices.com claims it has a global network of over 125,000 members. I used to be one of them. I think the members should expect and demand a lot more transparency and accountability when it comes to numbers.

As voices.com so aptly pointed out: they did not make $39,290,580 in total earnings.

Their members did.

Paul Strikwerda ©nethervoice

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The Awedition

by Paul Strikwerda in Articles, Career, Freelancing, Money Matters 12 Comments

“Not everything is what it seems to be,” said the King as he looked into the Court Jester’s mirror.”

Have you ever wondered what’s going on behind the closed doors of a casting agency?

What’s it like to be part of a nerve-wracking cattle call?

Would the casting director be one of those failed actors who has turned his bitterness for the business into a lifelong mission to humiliate terrified talent?

Would the waiting area be filled with intimidating, cutthroat competitors, exchanging stories of horror and faded glory? Or is all of that just a caricature, perpetuated in Hollywood movies about the trials and tribulations of aspiring actors?

Well, you’re about to find out!

Being the famous blogger I am, I was recently granted unprecedented permission to record one of my auditions for the enjoyment and continued enlightenment of my readers. Nothing’s more fun than learning from other people’s most embarrassing moments, right?

So, for once you get to be a fly on the wall, as I enter a casting agency at an undisclosed location near New York.

For those of you who’d like to read along, you’ll see that I provided a copy of the script.

Anything to please my faithful fans!

Paul Strikwerda ©nethervoice

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The Troublesome Truth about Voice-Overs

by Paul Strikwerda in Articles, Career, Money Matters 58 Comments

The Holidays are a great time to meet new people and catch up with folks you only see once or twice a year.

This season I noticed a new trend. I’d be quietly munching on a Christmas cookie, and a relative of a friend of a friend would come up to me with a glass of eggnog in his hand.

“I hear you do voices, right?”

“Well,” I said, “I’m a voice-over, if that’s what you mean.”

“You do books for the blind?” he wanted to know.

“No, not really. I….”

And before I could finish he continued:

“Because everyone’s been telling me that I have a great voice and I should be doing what you’re doing if you know what I mean. No offense, but it can’t be that hard. I bet you make some pretty good money. I said to the wife: “I talk all day long. I might as well get paid for it.”

“I wish someone would pay him to shut up for a moment,” said the wife, who had been listening to the conversation.

No matter where I went in these past few weeks, I’d always run into guys with eggnog, ready to show off their Sean Connery impersonation or some version of a “movie trailer man voice.”

All of them had three things in common:

Read the rest of this story in my new book. Click on the cover to access the website and get a sneak peek. Use the buttons to buy the book.

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Call Off Black Friday

by Paul Strikwerda in Articles, Freelancing, Money Matters 24 Comments

10-plus money-saving tips for the frugal freelancer!

My mother must have had a Master’s Degree in Money Management.

As a child, I hated it. At the supermarket checkout there was always some whiny kid in front of me, pointing at the strategically placed sweets.

“Mommy, I want a lollipop!” cried the boy.

The little brat was already digging into an open bag of greasy potato chips that had yet to be paid for.

“Mom, I want it now!”

As his mother was loading boxes of sugar-coated cereal onto the conveyor belt, the 3-year old monster turned up the volume to show the world who was in charge.

“Mom, give me that lollipop! You said I could have a lollipop!! I WANT IT!”

And sure enough, after thirty seconds of relentless begging, the little Prince’s wish was granted.

His mother turned to my Mom and said apologetically:

“What can you do? He’s just so adorable, isn’t he?”

“Why don’t you give him an apple?” my Mom suggested.

“Oh no, that wouldn’t work,” said the monster’s Mom. “I’ve tried that once. It was a disaster. “Connor isn’t really into fruit. He might be allergic.”

“Well,” said my Mom, “he seems to like strawberries” as she pointed to the lollipop sticking out of Connor’s mouth. But she had spoken too early.

“I hate this lollipop,” yelled the boy. “Give me a cherry one!”

As the appropriately named Dum Dum landed on the floor, I had only one wish: I wanted to trade my Mom in for Connor’s mother. My Mother never bought me any lollipops, or that colored cereal with a surprise toy in the box. And if I happened to be hungry, she gave me a carrot or a celery stick. Disgusting!

A few years later, we ran into Connor again at Toyland. Not much had changed, apart from the fact that he had put on a few pounds. He was the first six-year old with a double chin I’d ever seen.

“Mom, I want that race car!” he yelled.

Connor and I were both drooling over the same shiny Matchbox® model. It was a piece of perfection.

“Mom, I want it now!”

Connor’s presence somehow gave me the courage to ask my mother if she’d buy me the car.

“How much money have you saved so far?” asked my Mom.

This year I had started earning an allowance by doing small chores around the house.

“Fifty cents,” I replied.

“And how much is this car?”

“One guilder.”

“You get 20 cents per week, so if you really want this car, why don’t you save up for it?”

“Mom, I knew you would say that!”

“Of course,” said my Mom. “Now, let’s get your sister a birthday present.”

At the checkout, Connor had already taken his brand new car out of the box and was ready to destroy it.

His mother turned around and said:

“What can you do? He’s just so adorable, isn’t he?”

ACCOUNTABLE

The other day, I had a meeting with my accountant. He specializes in small businesses.

“Let me ask you a question,” he said when I came in.

What’s the difference between a successful and a not so successful freelancer? If you had to boil it down to one thing, what would it be?”

“Well,” I said, “I can think of a few things. How about talent… connections… creativity?”

“Wrong,” said my accountant. “What do Jerry Lee Lewis, Tammy Wynette, Mickey Rooney and Lorraine Bracco have in common?”

“Brian,” I said, “You tell me. You’re the expert.”

He continued: “We’re talking about talented, well-connected and creative people. And at one point in their career, all of them had to file for bankruptcy.

Here’s my point, Paul: The difference between a successful and a not so successful freelancer lies in these two words: Money Management. And where does money management start?

“Well, Brian, isn’t that where you come in?”

“Wrong again. Money management starts between your ears! It’s about the difference between instant gratification and impulse control. Didn’t your mother teach you that? You see, there’s no secret formula to financial stability:

  1. Spend less than you earn
  2. Pay off your debt
  3. Invest, save and share

“That’s a great philosophy, Brian” I replied. “But you know as well as I do that it doesn’t work like that in the real world. The kids that have never heard the word “no” became adults driven by a sense of entitlement.

We might moan and groan about the economy, but all we really want is a big fat turkey for Thanksgiving and a big flat screen TV on Black Friday. People demand the latest and the greatest, if only to keep up with the Joneses.

If life gets hard, put it on a card.

After all: You’re worth it. That’s what this country is all about: prescription drug addiction, emotional eating and retail therapy.”

MODERATION NATION

“It feels good to vent, doesn’t it?” said Brian. “So, what’s your answer to the I consume, therefore I am mindset? Should we call off Black Friday and fire Santa?”

“How about moderation?” I said. “How about redefining what makes us happy? Happiness cannot be found in the ever-increasing accumulation of stuff. Isn’t life supposed to be about who you are and what you have to give; not about how much you have and can keep for yourself?

My Mom kept a tight rein on the budget, and at times I was jealous of some of my classmates who could literally be a kid in the candy store. She didn’t always give me what I wanted, but I always got what I needed. Thanks to her, I became a frugal freelancer. She taught me one of the most important lessons:

A rich life has nothing to do with an expensive lifestyle.

We never went to Disney World®. We hiked on nature trails instead, and for years I told the world I wanted to be a forester, protecting plants and animals. We rarely went out to dinner. Instead, my mother taught me how to make delicious, nutritious meals from scratch. Our kitchen never had a microwave in it, and somehow, we survived.

At the time I thought it was so unfair: all the kids in the neighborhood had a VCR. Meanwhile, it took years before we got our first color TV. But my best childhood memories are of the whole family sitting around the table playing board games. I paused for a moment…

Be honest, Brian: Am I getting old?”

“Definitely,” my accountant said with a smile. “But as your financial advisor, I like the way you’re thinking. Now, tell me again: what was that website you were talking about the other day?”

“It’s called Freecycle.org. Freecycle is a worldwide network of people who are giving and getting stuff for free in their towns. Not junk, but good stuff that would otherwise end up in landfills. A year ago, our stove decided it was time to retire and Freecycle came to the rescue.

Someone in the neighborhood was remodeling the kitchen and her practically new stove didn’t fit anymore. She put it on Freecycle and I picked it up. It didn’t cost me a penny. And if there’s stuff we have no use for, we put it on Freecycle too.

“Didn’t your TV set give up, last year?” asked Brian.

“You’re right, and guess how much I paid to replace it? Fourteen dollars and ninety-five cents. I found a TV at a local Goodwill store. The folks who dropped it off were going for one of these LCD-things. There’s nothing wrong with that old television. It’s just a bit… ginormous and you need five men to lift it. But the story gets even better…

Last month we cut the cable. I was getting tired of being forced to pay for all those networks we never watch. Cable companies are like a restaurant charging you for everything on the menu when you’re only eating a few items. Cutting cable alone saves us over $1300 a year. Now I can put that money into my new recording space.”

“Aren’t those prefab boxes expensive?” Brian wanted to know.

“You bet they are,” I said. “That’s why one of my friends is going to help me build a booth in the basement. And if we ever were to sell our home, the new owners will have the soundproof media room they always wanted.

SAVING GRACE

Spending money is just too easy. Saving money is a sport.

I spent hours and hours researching the web for the best materials and the best deals. I asked my social media friends for advice and I got quite an education. And at the end of the day, I believe that building something with my own bare hands is much more rewarding. I can also make sure that the materials I use are environmentally friendly.

I do the same thing when I am shopping for gear. Before buying brand new, I check out Sweetwater’s Trading Post, Craigslist and eBay first. A friend of mine just got a beautiful Blue Robbie preamp; retail price: $799. He picked it up for $500. It was barely a year old and the former owner had taken care of it as if it were his baby. My friend’s voice-over clients couldn’t hear the difference between brand new and “previously loved.” He recently bought a Mac Mini. Refurbished, same story.”

“Off course it’s not all about money,” said Brian. “My new-age therapist says that money is just an exchange of energy. She tells me I should move more. I spend my days behind a desk, staring at a screen. At the end of the day I just want to go home, be a slouch on the couch and… stare at a screen.”

“Do you know what you and I should do, Brian?” I said.

“What’s that?”

“I think both of us should become independently healthy.”

“Care for some carrots?” joked Brian.

“You’re funny! That’s what my Mom used to say.”

“Speaking of your Mom… how’s she doing?”

“She passed away on April 11, 2008.”

I took a deep breath. 

“My Mother really knew how to stretch a guilder. When she died, most of her belongings went to families in need and she made it very clear that she didn’t want to be buried. She donated her organs and the rest of her body to science. 

My Mom died on a Friday.

It was one of the darkest days of my life.

Not a day goes by, without me thinking of her, and wishing I could call that day off.”

SHORTLIST

 Now, before we get all teary-eyed and sentimental, let’s end with something practical. Here’s my shortlist of tips for the Frugal Freelancer my mother would definitely approve of:

1. THINK of the WHY before you buy. Separate the needs from the wants. Ask questions such as:

  • Is this something I simply would like to have, or do I absolutely need it NOW?
  • What would happen if I don’t buy it?
  • Can I afford it?
  • Sleep on it (especially when buying mattresses). Build in a minimum waiting period for bigger purchases 

2. DO YOUR HOMEWORK and use the internet for research and for finding deals


3. Invest in QUALITY that will last

  • Remember: refurbished products are tested and certified and offer big savings. I bought my Apple Time Capsule refurbished and it is doing its job without any problems. 

4. GO GREEN

  • Pick products that are good for the planet
  • Buy Energy Star products
  • Go paperless and recycle
  • Buy at a consignment or Goodwill store and use www.freecycle.org to get rid of good stuff you no longer need or to find things you’ve always wanted.

5. CUT the CABLE


6. BREW your own COFFEE and make your own MEALS

7. STAY HEALTHY

8. SELL YOUR SECOND CAR

9. REDISCOVER THE LIBRARY

10. BE ORGANIZED and keep track of your income and expenses

11. Add up all your savings and give at least 10% to a worthy cause, and

Live each day with an attitude of gratitude.

Paul Strikwerda ©nethervoice

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It’s the stupid economy!

by Paul Strikwerda in Articles, Career, Freelancing, Money Matters 19 Comments

If we blame the economy for all of our freelance failures, perhaps it’s only fair that we should credit the economy for all of our successes. After all: we’re hopelessly helpless.

It’s the economy, stupid!

In 2000, Cleanthi Peters sued Universal Studios for $15,000. Cleanthi claimed to have suffered “extreme fear, mental anguish, and emotional distress” after visiting Universal Studios’ Halloween Horror Nights haunted house. She said it was too scary.

My European friend Philippe is eager to bring these type of examples up whenever he tells me that Americans live in a country of finger-pointers. I agree.

If we get lung cancer from smoking, we blame the tobacco industry. If we slip on a wet surface, it is the cleaning lady’s fault. If we burn our lips on a cup of fresh WaWa-Java, we sue the company that forgot to print a warning.

Heaven forbid we should take some credit for our own actions. Why should we? Blaming someone else could bring in big bucks!

So, what’s next?

Read the rest of this story in my new eBook. Click on the cover to access the website and get a sneak peek. Use the buttons to buy the book.

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FU, or the Power of PR

by Paul Strikwerda in Articles, Freelancing, Money Matters, Promotion 17 Comments

Here’s a question for you:

Can ten minutes make a ten thousand dollar difference?

Not so long ago, a colleague introduced me to a client in need of a narrator. His institute was searching for a European voice and for someone who could read an audio book full of names and quotes in German, French, Dutch and other languages. That happens to be my specialty, and I was pretty confident that I could take on the task.

A day later I received an email. The client had listened to my online demos and found my sound to be ‘too commercial’ for this academic endeavor. In other words: Goodbye, Vielen Dank and bonne chance.

Some people might leave it at that and move on to the next best thing. Not me. My response to this client was a short and simple

Read the rest of this story in my new book. Click on the cover to access the website and get a sneak peek. Use the buttons to buy the book.

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The one word that saved my freelance career

by Paul Strikwerda in Articles, Career, Internet, Money Matters, Promotion 48 Comments

No, I’m not going to tell you what it is just yet.

Let me begin by asking you a simple question:

Do words have power?

When you think of it, aren’t they just letters, arranged in a certain order? Or are there words in our language that are so potent, that they have the potential to transform our life and our livelihood?

Now, before you think that I’ve gone all philosophical instead of practical, just  STOP for a moment and think about it.

In the past few days I’ve asked some of my friends about words they feel have had (and still have) a profound impact on their professional lives. Here are some of the words they came up with:

  • Faith
  • Fear
  • Confidence
  • Creativity
  • Luck
  • Love
  • Play
  • Passion

 

As for me, the one word that has been my guiding light in the past 25 years as a freelancer, is neither grand nor deep. Yet, I believe it to be one of the most powerful words in our vocabulary. Without it, my career certainly wouldn’t be where it is today. It consists of two letters.

Read the rest of this story in my new book. Click on the cover to access the website and get a sneak peek. Use the buttons to buy the book.

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Open Letter to Voice-Seekers

by Paul Strikwerda in Articles, Career, Freelancing, Money Matters, Pay-to-Play 17 Comments

Dear voice-over shopper:

Thank you so much for getting in touch! Before we get down to business, may I ask you a question?

Would you ever bid on a project without knowing the specifics?

Let’s assume you’re in the construction industry. A prospect sends you an email asking:

“How much for a building? Give me your best price!”

Could you honestly answer that question? Of course not. Yet, I receive emails every day, asking:

“How much for a voice-over? Give me your best price!”

… as if we’re talking about the cost of a Big Mac or a quart of milk. Even that differs depending on where you live.

If you were a builder who was asked to come up with an accurate estimate, you’d minimally need to know what purpose the construction would serve (commercial or residential); you’d have to know where it will be located, how big it needs to be, when it needs to be finished etcetera, etcetera.

Voice-over professionals are no different. They’re  independent contractors. They need to know what purpose their recording will serve, in what market it will play, how long the script is and how soon you need it (among other things).

Without specifics, any bid is based on pure guesswork and not on the particulars of your project.

“Then why” -you might ask- “are so many of your colleagues willing to plug in just about any number -no questions asked?”

I’ll answer that question with a question.

Would you trust a builder who’d name a price knowing hardly any details of the project? Or would you consider that to be… unprofessional?

STANDARDS, ANYBODY?

The voice-over industry is populated by seasoned pros, hopeful hobbyists and anything in between. With today’s technology, it’s so easy to plug a mic into a computer and hang up a sign saying:

“Voice for Hire. Will work for the experience.”

 

There are no requirements, no regulations and no standards.

What would happen if the construction industry would operate that way?

Some might argue that that’s an unfair comparison. When builders don’t follow regulations, people could get hurt. No one’s ever going to get harmed by an unprofessional voice-over artist, right?

Think again, and let’s zoom in on Medical Narrations. What would happen if the name of a medication would be mispronounced or if the narrator messes up the dosage? What would happen if a procedure would be read in such a way that it could be misconstrued?

These are extreme examples. I agree. How about something less serious: Audio Tours.

Imagine hundreds of tourists getting stranded on a hot summer’s day because the narrator had instructed them to go left instead of right. Among the group members are elderly people, pregnant women and folks with various medical conditions.

That’s not just a ‘small oversight on the part of an inexperienced narrator’.

That’s a lawsuit in the making!

THE REAL DEAL

Professionals do their homework. When a voice talent gets back to you with specific questions, that person is not trying to be a pain in the neck. It’s a sign of professionalism. It means that you’re not getting the cookie cutter treatment. It’s an indication that this person takes his or her job and your project seriously. Please remember:

Amateurs passively plug in guesstimates. Pros ask questions and give informed quotes.

There’s a reason why the word pro is part of ‘pro-active.’

Think of it this way: your voice-over project is a destination. If your end-client does not provide you with a clear description, how can you be sure that you’ll ever get there? Without the right information, you’re setting yourself up for failure, as well as the talent you’re hoping to hire.

Let’s assume the end-client asks for fruit and you come back with the juiciest orange ever to hang from a tree. It could have been a lucky guess. But what if your client says:

“Oh come on… I didn’t want a boring orange. I had an orange yesterday. You should have brought me an apple. A green apple. From Holland.”

THE BLAME GAME

Now, it’s easy to point the finger and blame your unspecific client. But blame is lame and disempowering. The ball was in your court. What did you do with it?

Not only are you now wasting your own time; you’ve just posted a vague project on a casting site and hundreds of voice-over talents are wasting their time recording a custom demo that’s nothing more than a shot in the dark.

Some of you might respond: “That’s just too bad. It’s part of the industry. It’s always been like that and it will never change. You win some. You lose some. And if you don’t like it, go do something else.”

That might be true, but does it really have to be that way? It’s the twenty-first century. Are we still running the industry based on these inefficient, expensive, last century old-school ideas?

IT ALL ADDS UP

Please consider this: how long will it take you to weed through all these shot-in-the-dark submissions? You might end up picking a very affordable talent, but -thinking of your hourly rate- how much did all that weeding just cost you and your company? Don’t you have better things to do than listen to auditions that totally miss the mark?

If you expect talent to be on target, give them a fair chance to hit the bull’s-eye.

Tell them what you’ll be listening for in as much detail as possible. If not for the sake of the voice talent, do it for your own sake. You’ll get much better results in less time.

Here are a few other tips. Don’t worry, they won’t cost you anything!

Language. Don’t just put “Spanish” if you really need a speaker from Chile. Otherwise you’ll get accents from wherever Spanish is spoken. (more on accents in this article)

Age. When you need a young and energetic sound and you’re not clueing us in, don’t be surprised to receive demos from mellow middle-aged matriarchs and serious sounding seniors (as well as from blogging voice-overs who love alliteration).

Budget. You say that you want to hire an experienced voice talent. Do you really think you’ll get one for a hundred bucks? Try this experiment: go to a jewelry store and shop for a 24 carat diamond. When you’ve picked out a nice rock, tell them you wish to get it at the price of a cubic zirconia. Let me know how that worked out for you.

I assume that you take pride in your work, just as we take pride in ours. Don’t devalue what we do. Believe me: it’s not as easy as it sounds.

Expertise. If you don’t want to pay a pro, why don’t you ask Sam in Receiving to record that power point presentation you’re about to give to potential investors. It’s only the future of your company that’s at stake.

Cindy the secretary has a nice voice too. Perhaps she’s willing to do that phone greeting that will be heard by thousands of customers every day. It’s not our job to determine how you want your company image to be perceived by the rest of the world.

Editing. If you expect a talent to deliver clean, edited audio, don’t assume that someone will throw that in for free. First of all, editing is a special skill and not every talent has mastered that skill.

Secondly, it takes an experienced editor at least twice as long to clean up the audio as the time needed to record it. People deserve to be compensated for their time and expertise. Aren’t you?

Payment. Don’t be surprised if we ask you to pay 50% upfront and the remainder upon receiving the recording. Some colleagues won’t record a word without getting paid in full first. You see, we haven’t established a relationship yet, and most of us have been burned in the past. Did that band you hired for the office party require money upfront? Did the hotel ask you for a deposit at the time you reserved that conference room?

Don’t take it personally. We run a voice-over business; not a collection agency. We give you our word (literally) that we’ll deliver the goods. In fact: we will WOW you! Please PayPal your down payment so we can get the ball rolling.

FINAL THOUGHTS

If you happened to detect a slight sarcastic undertone in my writing, please know that I’m aware of that. It’s a bad habit and I’m working on it. Just not today.

Secondly: not all voice-seekers are created equal, and it’s not right to put all of you into the same category. You’ve got to make a living too and make your boss happy by hiring the best talent at a reasonable price.

I’m confident that we can meet in the middle, and I’m committed to making your product or service shine as if it were my own. You and I are in the same boat:

Happy customers are our best credentials.

Testimonials from satisfied clients are stories that can never be accurately reflected in the most detailed of rate sheets.

Quality will always be remembered long after the bill has been paid.

Now… let’s talk some business, shall we?!

Sincerely,

Paul Strikwerda ©nethervoice

PS Voice seekers are not the only ones trying to get more out of you for less. My next article is about Internet Casting Services taking it to the extreme.

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Why you’re leaving money on the table

by Paul Strikwerda in Articles, Money Matters 18 Comments

 

How much do you charge for your services? What determines your asking price? If you charge too much, you run the risk of losing the job. If you’re selling yourself cheap, you look like an amateur. Here are 10 ways to win the bidding war.

“Do these cookies taste as good as they look?” asked our friendly neighbor.

“Even better,” said my almost 8-year old daughter with a big smile on her face. “I baked them myself this morning!”

Last week, she went door-to-door to raise money for our Walk MS team. She’s a much better fund-raiser than her father, who’s still hoping to do better with his own campaign. 

“How much are they?” the neighbor wanted to know.

“You can get two cookies for a dollar,” answered my daughter. A moment later, she had four shiny quarters in her hand.

“Fantastic,” I said. “I’m so proud of you! You just made your first dollar. Now, do you want to know a little secret to raising some serious money?” She was all ears.

Read the rest of this story in my new eBook. Click on the cover to access the website and get a sneak peek. Use the buttons to buy the book.

Making Money In Your PJs cover

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The secret to landing any freelance job

by Paul Strikwerda in Articles, Career, Money Matters 11 Comments

Is your freelance business going down the drain?

Are you sick and tired of rejection?

Have you had enough of wasting your time on auditions, bids and proposals that never lead to anything?

Perhaps it is time to make frustration your friend. Be sure to add a strong dose of disgust to the mix. According to success strategist Jim Rohn, disgust is one of the four emotions that can lead to life change. Rohn:

“The person who feels disgusted has reached a point of no return. He or she is ready to throw down the gauntlet at life and say, “I’ve had it!”

RESOLVE

Once your frustration has reached a boiling point, it is time to make up your mind. Are you throwing in the towel, or are you going to take massive action and turn your business around? If you pick the last option, the next question is: HOW?

Read the rest of this story in my new book. Click on the cover to access the website and get a sneak peek. Use the buttons to buy the book.

Making Money In Your PJs cover

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