Lake Bell

The Voice-Over Movie You’ve Never Heard Of

by Paul Strikwerda in Articles, Journalism & Media 9 Comments

Harry Chase. photo credit: Mark Rosenberg

Harry Chase, I owe you an apology.

A few weeks ago, I was reviewing Lake Bell’s “In A World(click here to read) and I noted that most on-screen actors easily transition into voice-overs, but that it doesn’t happen the other way around. I wrote:

“Have you ever seen a full-time voice actor land a major role in a motion picture? I haven’t.”

Well, I was wrong.

Weeks later, I discovered the 2010 movie “Hello Lonesome.” If you’re a Netflix user, the DVD is easy to find. 

In it, real-life voice-over artist Harry Chase plays a… real-life voice-over artist. He’s Bill Soap, a cantankerous, lonely man, longing to make amends with his estranged daughter after his wife suddenly left him. His most regular contact with the outside world is an opera-loving delivery guy. 

That’s not the synopsis of the entire movie, though. Bill is just one of the six characters who populate this picture, and there are three different and equally touching story lines. 

Self-financed with a $50,000 budget and completed in only 15 days, the movie was written, produced, shot and directed by Adam Reid. Adam got his start writing and producing promos for Comedy Central including South Park and The Daily Show with Jon Stewart. He is currently the Executive Creative Director of the production company Bodega Studios in New York City.

The New York Times called “Hello Lonesome” a…

“smart, poignant trilogy of interwoven vignettes” that “manages the considerable feat of creating six fully human characters who are quirky enough to transcend the stereotypes found in a typical indie film.”

On the movie website, Adam Reid writes:

“As a promo producer I have worked with a lot of voice over artists. I think a lot of us wish we could have that kind of life. From the outside, it’s a lazy persons paradise: Wake up, crawl to a sound proof booth in your basement, read out loud into a microphone and get paid handsomely for it.

Bill Soap is the center of our three-ring circus. We cast real life voiceover Harry Chase and shot on location at his home. (It’s worth noting that Harry happens to be a wonderful husband and father, unlike his character, but does occasionally report to work in his underwear.)

Each story in Hello Lonesome is a parable. I wanted all of the characters to be very real and believable, and at the same time, this is a movie about how the smallest communication can change your life. In Bill’s case, that’s quite literal. He’s isolated himself and is now trapped in his own voice over booth.”


Harry Chase on the set of Hello LOnesome

Adam Reid, Harry Chase and Julia Reisen

Chase has over 30 years experience in the business, and you’ll probably recognize him as the voice of Captain Morgan’s Rum. His work includes feature film trailers as well as spots for Quiznos, Sony Vaio, Disney on Broadway, CNN, CBS, Lifetime, Sci-Fi and National Geographic.

Harry’s voice can also be heard in video games such as “Grand Theft Auto IV” and as Gandalf in “The Lord of the Rings Online: Shadows of Angmar.” Harry won a “Best Voice Over” Golden Trailer Award for his work on the movie trailer for “The Assassination of Jesse James by the Coward Robert Ford” starring Brad Pitt.


Just like “In A World” is not a documentary about voice-overs, “Hello Lonesome” tells stories that revolve around relationships. It’s an intimate movie about loss, loneliness and human connection. 

It does take us inside Harry Chase’s sound booth. We watch him at work during several ISDN sessions, and it’s clear that he is in his element. Without giving too much away, I can tell you that his studio plays an important part in one of the plot lines.  

Once he is outside of the voice actor’s comfort zone, Chase proves to be a natural. At no point did I get the feeling that he was acting (which is the highest compliment I can pay a colleague). In fact, he sounded more himself and less of a movie trailer man when he wasn’t using his shotgun mic, but was teaching the delivery man how to fire a rifle.

Reviewing the movie for The Huffington Post, Marshall Fine said:

“Shot simply, acted without fuss, Hello Lonesome is alternately funny, wistful, tragic and suspenseful. Reid does a lot with a little – and has crafted a small beauty of a film with his first try.” 

I couldn’t have said it any better than that.

“Hello Lonesome” won the Best Ensemble Jury Award at the Los Angeles Film Festival, as well as a number of other awards. It is now available on iTunes and you can get the DVD through Netflix. Click here if you want to buy this brilliant movie.

Hats off to you, Harry Chase. 

Now, can you please put your pants back on?

Paul Strikwerda ©nethervoice

PS Be sweet. Please retweet.

Do Voice Actors Suffer From An Inferiority Complex?

by Paul Strikwerda in Articles, Career, Journalism & Media, Promotion 20 Comments

cartoon of Lake BellEuphoric.

That’s the mood the voice-over community has been in, lately.

The reason?

It’s the release of Lake Bell’s motion picture In A World.

If you are a voice talent and you haven’t heard about this fun-filled father-and-daughter comedy, you must be living under a rock and a hard place.

This movie got so much publicity inside my professional bubble that I didn’t even want to blog about it.

The anticipation for In A World had been building for months. When it finally came out, the citizens of voiceoverland went a little crazy.

If you’re a true member of our VO family, you probably did one of three things:

  1. You posted or reposted the In A World trailer on your social media outlets dozens of times;
  2. You read reviews and listened to or watched several interviews with Miss Bell and her cast of other characters;
  3. You frantically tried to get tickets from the box office of some small artsy theater where In A World was playing, hours away from your home.

If that’s what you did, let me ask you this:

Why all the hoopla for a movie that so far has grossed a humble $321,614 in the two weeks since its release; a movie that is number 30 on the box office charts, right behind this summer’s mega-flop “The Lone Ranger” and the equally disappointing “R.I.P.D.”?

You might think that In A World deserves to be seen by millions, but apparently, distributor Roadside Attractions wasn’t confident enough to go for a wide release. Are they hoping for a sleeper hit on Netflix?

To me it’s rather obvious why the attention-craving voice-over community has embraced Lake Bell’s movie.

This comedy is about US.


We, the masters of the spoken word, the unseen and unsung heroes of gazillions of trailers, audio books, commercials and e-Learning modules, are at last being recognized for who we are and what we do.

After decades of neglect and ridicule, voice-overs have come out of their walk-in closets, ready to be embraced for their vocal magnificence.

Thanks to Miss Bell, the voice-over world finally has a voice. Better still: It’s a FEMALE voice!

We feel validated and vindicated and tell ourselves:

“People find us interesting. Look, they even made a movie about us and talk about it in the media. That must mean we’re important!”

I hate to burst your bubble, but that’s an illusion. 

In a few days, the promotional circus surrounding this picture will fade away, and not even Joan Baker will be able to elevate our status in a world that doesn’t really care. Very soon we’ll get back to where we were before: invisible, under appreciated, and chronically underpaid.

Let me tell you why voice-over people are relatively irrelevant.

1. Voice actors run an auditory business in an increasingly visual world.

A study published on August 19th in the journal Proceedings of the National Academy of Sciences, describes that people who were asked to identify the winners of major piano competitions tend to do better when they purely rely on visual – rather than auditory – cues. 

Seeing, not hearing, is believing.

This confirms the age-old adage that a picture paints a thousand words. Images will always overpower what we play or say, no matter how meaningful the music or the script. Visual impact is everything.

That’s why movie stars are among the best paid people on the planet and voice actors are not. Keep in mind that it took a motion picture with on-screen actors and not some radio play or podcast to highlight the world VO’s live in.

2. Most on-screen actors easily transition into voice-overs.

Have you ever seen a full-time voice actor land a major role in a motion picture? I haven’t. Most of them can’t act and have to hire a coach to learn how to sound natural. The actors we know from the stage, the movies or television on the other hand, love doing voice-over work on the side, and most of them are very good at it.

When big brands need solid exposure, they turn to well-known names to get their message across. While voice actors often have to scramble for a decent rate, their on-camera colleagues can command top-dollar for that six-word catch phrase at the end of a commercial.

3. In A World is not a movie about voice-overs.

Ron Howard didn’t shoot “Backdraft” as a documentary about firefighters. The TV series ER wasn’t made to promote the medical profession. The fire station and the hospital were both backdrops that allowed human drama to unfold.

In A World takes us into recording studios to tell us about the rivalry between a father and a daughter who both happen to audition for the same job.

At heart, it is a light summer movie about relationships, and the voice-over setting is nothing but a clever prop, allowing the actors to showcase their skills and versatility. Nothing less and nothing more.

4. But doesn’t this movie have a powerful message about inequality in the VO-workplace?

It’s true. Lake Bell’s character tries to break into the male-dominated world of movie trailers. However, I don’t think the predominant purpose of In A World was to further some feminist agenda. It’s a comedy. Not a Gloria Steinem manifesto.

The male-female dichotomy at the center of In A World is a ploy that serves a plot. It creates conflict that needs to be resolved.

It’s an old theme in a new setting:

Will the underdog succeed against overwhelming odds? Watch the movie and find out!

Most movies aren’t made to move minds. Audiences across the globe like to escape and be entertained. They hate being lectured about social injustice. And let’s be honest: film studios are not some kind of philanthropic institution ready to promote an important cause. I can summarize their business model in four words:

Minimize risks. Maximize profits.

5. Will Lake Bell manage to break the gender barrier?

The short answer is NO.

I don’t think Bell will impact movie trailers the way Mary Tyler Moore changed television. Using a female voice for a movie trailer would require a revolution. Not a Sundance comedy.

Usually, Hollywood doesn’t like to try something that hasn’t been done before. Playing it safe is the name of the game. That’s why the same actors and actresses, screenwriters, directors and composers are hired again and again.

The fact that female voices aren’t chosen to promote blockbusters has nothing to do with sexism. It has everything to do with movie moguls testing every aspect of a motion picture to see if it will appeal to an audience of average Americans. Words are weighed and endings are altered based on feedback from the all-important focus groups. 

Without being derogatory, it’s fair to say that Joe Six-pack is the most important movie ticket buying demographic. If a focus group of Joe’s agrees that a booming male voice has more gravitas, that’s what studios will choose. Forget feminism or equal opportunities.

Thus, the cliché continues.

One last thing.

6. The rest of the world isn’t nearly as interested in our profession as we are.

If we do our job right, the listeners will pay more attention to the message than to the messenger. We serve the script and make it shine.

Unlike on-screen actors, we stay out of the limelight. We don’t appear in tabloids or on talk shows. Our private lives are blissfully boring. There is no glamour in voice-overs. For a majority of celebrity-watchers, voice-overs are positively uninteresting.

So be it.  

In our small and isolated world, Lake Bell’s movie might be a big deal; a victory for voice-overs, even. The rest of the planet falls for blockbusters about zombie invasions, promiscuous vampires and kids playing Hunger Games -all of them promoted by Don Lafontaine sound-alikes.  

Just because we don’t necessarily get recognized for our work, doesn’t mean we shouldn’t take professional pride in what we do. We might not make millions of dollars and live in huge mansions, but there’s no reason to feel inferior. 

In real life, a lot of great things happen under the radar. Those things can be far more profound than anything the gossip shows will ever report on. 

Think about those who have dedicated themselves to helping others. Ordinary people doing extraordinary things. Most of them will never be acknowledged or honored, and they’re fine with that. 

These people are in it for the music. 

Not for the applause.

Paul Strikwerda ©nethervoice

PS Be sweet. Please retweet! 

PPS “Hello Lonesome” is the voice-over movie you have never heard of. Click here for my story about this movie.