Harlan’s mic. Hogan’s new hero?
It’s been a few months since Harlan Hogan came out with the VO: 1-A Microphone. Made by MXL, this is the first mic designed for voice-over performers by a voice-over professional.
When I first wrote about it in August, Harlan claimed that this mic “will sound great on about 99% of the population”. That’s quite a statement, and as always, the proof of the pudding is in the eating.
So, what’s the verdict? Before we can answer that question, we have to ask ourselves a different one: What makes a good voice-over mic?
A good microphone is like the ideal partner. It has to be, because you’ll be spending a lot of time together (and usually in a cramped, dark space). Personally, I love my mic because it’s such a good listener. But as in any type of committed relationship, what works for me, might not work for someone else.
BANG & BUCKS
Just as it does not make sense for a budding violinists to get a Stradivarius, beginning voice-overs should get a decent mic that doesn’t break the bank. But simply because something is relatively inexpensive, doesn’t mean that it will only take you so far.
My wife is a professional flutist, and the instrument she’s playing is a true work of art. Her students often complain that they don’t sound so well, because they’re playing on an entry-level flute. It’s a common excuse for those who forgot the way to Carnegie Hall.
At that point, my wife will take the cheap flute out of their hands, and she starts playing the inferior instrument. You should see the eyeballs pop out of her student’s sockets and jaws drop to the floor, because she sounds better than Jimmy Galway. After that, no more excuses!
HOGAN’s SLOGAN
So, is the VO: 1-A “The Voice Over Microphone made for Voice Over Performers”?
George Whittam has a Bachelor’s degree in Music and Audio Technology and he runs the well-respected ElDorado Recording Services. He gave the Harlan mic a spin, along-side the venerable Neumann U87.
Mind you, the new Harlan mic costs $249. You can get the Neumann for about $2,700 on eBay. Is that even a fair comparison? George concludes:
“While the U87 has that smooth, almost dull top end in comparison, the VO: 1-A’s response is almost identical to my ear across nearly the entire frequency spectrum. The VO: 1-A is slightly hyped at the top, but not overly so, and sounds very even and natural all the way down.”
We’re so impressed with VO-1a that we’ll begin bundling it in our “The Audition” package beginning in 2010. Coupled with the MicPort Pro, the two work wonderfully together either as a budget home studio setup, or as a travel companion for the working voice actor. “
You can read the full review on George’s blog.
Steve Cunningham reviewed Harlan’s mic for the February 2010 issue of Radio And Production Magazine. He writes:
“In use the microphone provides a nicely balanced sound with a bit of high-end crispness, but much less than I have found in other MXL microphones. The low-end is present and certainly meaty enough for Big Voice male voiceover, but the proximity effect was not nearly as pronounced as I had expected it to be. (…)
Self-noise in this microphone appeared to be on par or slightly better than other sub-$200 microphones I have tested. In particular, the VO:1- A is noticeably quieter than the Audio Technica AT2020, a microphone I had recommended to students on many occasions. But for general voiceover work, including soft and intimate reads, noise was not an issue during my evaluations.
I had several opportunities to test the VO:1-A with both male and female voice talent. Overall, I would have to say that I preferred the VO:1-A over several of the mics in this price range that I have recommended to voice talent in the past. (…)”
MY TWO CENTS
By putting his name on this mic, Harlan put his reputation on the line. Based on his career, his writings and products like the Porta-Booth, Harlan’s got it down. If you’d ask me, his voice-over mic is not a safe bet. It’s an excellent bet. Yet, there’s always a chance that it might not be the right mic for you. If that turns out to be the case, are you going to be stuck with it? Harlan Hogan:
“Every microphone will sound different on different voices but most retailers and manufacturers don’t allow you to try and return their microphones easily. I vowed we’d change that approach with the VO: 1- A and you can buy one, try one and return it with no questions asked – it only seems – and is – the right approach.”
Well, it turns out that Harlan was right on the money. His signature mic took the voice-over world by storm and it has received countless favorable reviews from voice-over colleagues such a Julie Williams, Dave DeAndrea, Linda Ristig and Dan Lenard. It is now officially my voice-over mic of choice.
PORTA-BOOTH
As for his famous Porta-Booth, Harlan’s new and improved version is finally in production. This is what the new Porta-Booth Pro looks like:
To me, it appears to be a cross between a bowling ball bag and a pet carrier. In fact, should you choose to take your cat to the vet in this contraption, the feline cries of anguish will be nicely muffled by the isolation foam.
The new booth is $349.00 and the optional Porta-Stand is $100.00 and includes two adjustable shelves and a set of four hooks for headphones, etc. An angled (sheet music) holder is also available.
A limited number of these babies sold out in March, and more are now available. They can be ordered from Harlan’s Booth-tique. Catnip not included.
Paul Strikwerda © 2010
PS For more Harlan Hogan factoids, read my article “What about Bob?“
PPS Although it’s pretty obvious that Mr. Hogan is one of my voice-over heroes, I am in no way compensated for featuring his products on this blog and I’d like to keep it that way.
