Last week, thousands of people went to an inauguration, and millions marched for women’s rights.
There is strength in numbers, and power in groups of people.
Even though I can see the point of bonding together for a common cause, I have an admission to make:
I hate being in the middle of a huge crowd.
Crowds are noisy and smelly. Somehow I always end up next to a loudmouth man-child who hasn’t used deodorant since puberty, or a Southern Belle who just bathed herself in Curve Crush By Liz Claiborne. For the lucky uninitiated: that’s a perfume I utterly detest.
Crowds infringe upon my sacred personal space, and they test my patience more than I can bear. They move according to the slowest common denominator, and they rarely go to where I want or need to be.
My nightmare scenario is being stuck indoors when a fire breaks out, and everyone is running for the nearest exit as they’re screaming their heads off. Of course only one exit is open, and the mob trapped inside starts trampling one another to escape the deadly fumes. Just thinking about it makes me nauseous.
Does all of this mean that I suffer from social anxiety, or that I’m anti-social? I don’t think so. My fear might have to do with a natural need to be safe. I prefer having meaningful conversations in quiet corners, rather than losing my voice yelling over the masses to reach a friend.
In the past I have described myself as a “reluctant extrovert,” and I still feel that way. I’d rather spend three hours with someone one-on-one, than fifteen minutes in a large group. I feel lost in a crowd, and I don’t want to be lost.
Why am I even bothering you with this pitiful confession? It’s because I’ve used my unease with crowds as one of the reasons to stay away from voice-over conferences bringing together hundreds of colleagues from different countries and continents. Today I am happy to tell you that this is about to change.
MAKING AN APPEARANCE
Over the years, literally hundreds of readers have asked the same question: “Where and when can I meet you?”
Those of you attending VO Atlanta from March 9th -12th, will finally have a chance to run into me, as well as over 550 colleagues from 35 states and 15 countries who have come to enjoy over 150+ hours of top-notch programming. It’s the largest annual voice-over event for our community.
This year’s keynote speaker is Bill Farmer, and some of the other speakers are Dave Fennoy, Elaine Clark, Celia Siegel, Joe Cipriano, Johnny Heller, Jonathan Tilley, Lori Alan, Scott Brick, Anne Ganguzza, and David Rosenthal.
There are sessions about audio books, business and marketing, gaming and animation, narration and eLearning, performance and improvisation, and promo & imaging. There are also workshops (labeled as X-sessions), as well as a Spanish, and a youth program. You can see the full program on the conference website.
On Saturday, March 11th at 7:30 pm, I’ll be on a panel led by J. Michael Collins, discussing Ethics for Voice Actors and Demo Producers. Speakers are Rob Sciglimpaglia and Cliff Zellman, and the other panelists are Dave Courvoisier and Bev Standing. If you’re a subscriber to this blog, you know that I have written extensively about some of the moral guidelines voice talent and clients should live by, and I can’t wait to hear what others have to say.
Now, I didn’t want to come to Atlanta just to be on a panel, so you’ll be able to track me down from day one. The welcome reception starts Thursday 3/9 at 5:00 pm, and I really look forward to meeting you in person! I have only one request:
Gentlemen: please use deodorant, and ladies: leave your bottle of Curve Crush at home, and we’ll survive the crowds together.
Today I want to start by thanking you for reading my blog. There’s so much content to choose from these days, and I am so glad you landed on this page.
Perhaps this is your first time, so: “Welcome!” Perhaps you’ve been here before. In that case I welcome you back with open arms.
One of the joys of being a blogger is the opportunity to connect with so many people from all over the world. This year I’ll be aiming for 40 thousand subscribers, which is unheard of in my particular niche: voice-overs. Then again, this blog is not just for professional speakers. It’s for all kinds of creative freelancers who struggle with things like finding work, dealing with difficult clients, and getting paid a decent amount.
If these topics interest you, I hope you’ll take a minute or so to subscribe. That way you’ll always know when I’ve written a new post. Just enter your email address in the upper right-hand corner. It will never be sold or used in any other commercial context. I promise!
WHAT DID YOU MISS
Now, we all lead pretty busy lives, and I completely understand that you might have missed a few stories from last year (especially if you’re new to this blog). That’s why I’m starting 2017 by giving you a quick overview of some of the topics I have covered (or uncovered). The headlines in blue are all hyperlinks, by the way.
I’ve been freelancing for my entire professional life. Being a solopreneur is often fantastic, and sometimes frustrating. Do you want to know what my pet peeves are? Click here to find out. We might have a few in common!
One of the recurring themes of this blog is me taking a critical look at the field I work in: voice-overs. In “Voice-Over’s Seven Deadly Sins” I explore manifestations of things like Lust, Gluttony, and Greed among voice actors. Not every colleague always appreciates what I have to say. In fact, some think I’m quite the curmudgeon. Read “Call Me Oscar” to find out if that’s really true.
Another topic I like to write about is how to deal with setbacks. No path to success is ever smooth, and in “Turning Resistance Into results” I take you to my gym for a few unexpected tips. In “The Mistake You Don’t Want To Make” I discuss a list of things freelancers do to sabotage their success, and I tell you about the onething you must do, to make it in this business.
Beginning voice-overs often have to overcome a lack of confidence before they are comfortable selling their services. My story “Do Nice People Always Finish Last?” deals with that issue.
During the course of a year great things happen, and things that are absolutely horrible. When tragedy strikes, I don’t always feel like writing about microphones, challenging clients, or impossible scripts. I feel a need to get personal with my readers, and posts like “The Weight Of The World” elicit lots of responses.
Not every reader knows that I was born, raised, and educated in the Netherlands. So, what’s it like for a Dutchman to live and work in the United States? You can read all about it in “Those Silly Americans.”
Because I bring a different and more European perspective to the table, some of my readers say that I usually “tell it like it is.” This attitude is appreciated by many, and criticized by some. In “The Cult of Kumbaya” I’ll tell you how I deal with my critics, and with criticism in general. “How I Handle Negative Comments” is another take on how I respond to feedback that is less than positive. If you’re in a business where rejection is the name of the game, I think you’re going to find these stories helpful.
Another theme I like to return to has to do with treating your business like a business. If you don’t do that, you’ll never have the success you’re hoping to have. “Are You In Bed With A Bad Client” tells you what to do when a client is taking you for a ride. In “Is Your Client Driving You Crazy” I write about the clients I gladly gave the sack.
IT’S ALL ABOUT COMMUNICATION
As voice actors we spend a lot of time in one place: our studio. Did you know it could be dangerous to do that? Just read “How Dangerous Is Your Voice-Over Studio” and you’ll find out about the hidden dangers in your recording space, and what you can do about it.
Since I’m in the communication business, it won’t surprise you that I love blogging about communication. “Filling In The Blanks” deals with a strange habit many of us have that could cost us clients, as well as personal friends. “Don’t Ever Do This To A Client” is a warning about how not to conduct business, ever.
What I love about being a blogger is the interaction with my readers. Many of them respond in the comment section. Others send me emails. The question I get asked a lot is this: “Looking back, and knowing what you know now… what would you have done differently, and why?” Click here to read my answer.
One of the unexpected discoveries I made in the past few years is that this blog is also read by copywriters, freelance photographers, web designers, as well as producers, and potential clients. For them I wrote “How To Hire The Right Voice-Over.” Even if you provide VO-services yourself, you might want to check this one out to get a sense of what clients are really looking and listening for.
If you’ve been following me for a few years, you know I’m no big fan of the Pay-to-Play model. Now, here’s a fun fact. If I want to guarantee myself at least a thousand hits in one day, all I need to do is write about one of those Pay-to-Plays: Voices dot com. “Stop Bashing Voices.com” is a story for those who don’t like what “Voices” is doing, and yet renew their membership year after year.
Marketing your services is one of the most important skills you must possess to have a flourishing freelance business. At times you need to educate clients new to voice-overs about the benefits of hiring a professional voice. One way to do that, is to contrast what you have to offer with examples of what I call “voice-overs gone wrong.” If you want to have a laugh and some heart-felt advice, click on “What Were They Thinking?“
Another question some people ask me is where I find the inspiration to write a new blog every week. To be honest with you, I often look outside of my own professional bubble. Click here to find out why, and what we can learn from fellow-freelancers who are active in another field.
Many blogs in the blogosphere are highly topical. Writing about current events is fun, but here’s the problem: the content gets outdated rather quickly. I do blog about things that are in the news, but I do my very best to make something that is timely more timeless. A good example is my story about the presidential election in the U.S., and the question of ethics and morality in voice-overs. It’s called “Should We Shoot The Messenger?” It certainly got people talking.
Another example is my blog about Black Friday. Yes, Black Friday is the “hook,” but in reality this is a blog about why people buy, and how you -as a frugal freelancer- should spend your money. “The Most Important Question Of The Year” is another story about the business of being in business. If you want to get to the bottom line, please read it.
There you have it. That’s my overview. What were your favorite stories?
One thing I hope you’ll continue to do, is come back to this blog every once in a while, -better still- every Thursday. Leave some feedback for me. Let me know what you’d like me to write about. Share your experiences in the comment section.
If you enjoy my musings and think they’re helpful, share them with your friends and colleagues on social media. That always makes my day.
And remember: Subscribe to stay in the loop, and get the latest scoop.
“Name one of the most beautiful musical instruments on the planet.”
“What’s your favorite?”
When I ask people these questions, they’ll usually say something like “cello,” “piano,” “harp,” or “flute.”
Bagpipes, cowbells, and kazoos never seem to make it to the list, and I can understand that.
But much to my surprise, people tend to leave out my favorite instrument: the human voice. Why is that?
Even though many of us sing in the shower, somehow we don’t recognize our voice as an instrument. Is that why people usually take better care of their violin than of their vocal folds? Is that why many of us don’t know the first thing about voice strengthening, proper breathing, and voice protection?
I find that very strange, especially if you’re using your voice to make a living.
We spend years practicing scales and arpeggios on the piano. Teachers tell us how to breathe correctly when playing a clarinet or trumpet, and we make sure to have the right posture before we put that French horn to our lips. But when I ask my voice-over colleagues how they have trained their voices, I usually hear a long pause.
IGNORANCE OR CARELESSNESS?
The truth is simple. We fully expect professional singers, athletes, or dancers to get their bodies into shape, but we expect our voices to do whatever we want them to do at any given time for as long as we want, without preparation.
This includes dying a thousand different deaths in video games or animation, or narrating an audio book from 10:30 am to 5:30 pm, five days a week.
If you’re not properly trained, that’s not only impossible. It is also dangerous.
Some of my voice-over students think I’m crazy when I ask them to start reading out loud every day. They are convinced that, just because they talk all day long, they’re ready to narrate that seventy-five thousand word historic novel.
I say to them: “The fact that you even believe that, tells me you’re not taking this seriously.”
“Nobody would dare to swim the English Channel without proper preparation, unless you’re suicidal. So, what makes you think you can just jump in when you barely got your feet wet?”
PICKING A PRO
The other day, a colleague was complaining that famous people were taking voice-over jobs away from not so famous people. “They’re already making a fortune,” he said. “Why do they have to cut a big piece from my pie? It just isn’t right.”
First off, it’s not his pie, and secondly, there’s a reason why well-known actors are paid good money to do voice-over work. It’s not only because they’re a celebrity, but because they spent years honing their craft.
They have learned to strengthen and control the muscles of the larynx. Not from a book or from some website, but from a professional.
“Real” actors realize that they use three-quarters of their bodies when they speak. They have learned how to move purposefully, and breathe properly: low and expansive. They know that good posture and deep breathing not only affect the voice. It makes them feel more centered, confident, and calm.
“Real” actors know the difference between a strong, resonant voice, and a loud voice. They know the difference between projecting and yelling. Their voices are flexible, and don’t diminish in quality during long sessions.
Because they’ve memorized their lines, these actors keep their heads up, which results in a more powerful and open sound. Many voice-overs glance down to read the script. This bends the neck and throat, and the voice sounds contorted, lower, and softer.
“Real” actors never start talking without a warm-up, they drink lots of water (6 to 8 glasses a day), and they stay in good physical shape. That means: regular exercise, a healthy diet, and plenty of rest. They avoid clearing their throat, screaming, whispering, and noisy places. And of course they don’t smoke.
Too many voice-overs are serial sitters, shallow breathers, and unhealthy eaters and drinkers. Most of them have never taken singing or dancing lessons, or seen an otolaryngologist.
Now, here’s a quick question for you:
How can you tell a voice talent just came back from a VO-conference?
Because they lost their voice!
If you’ve ever been to a WoVoCon, Faffcon, or other convention, you know I’m right. The unavoidable Karaoke is a killer! You’d never expect ballroom dancers to come back crippled from a contest, would you? So why would voice-overs abuse their vocal folds for a day or two? And why do most of them start taking care of their voices once something’s wrong?
It just doesn’t make any professional sense.
A DAY FOR THE VOICE
A change in behavior has to start with increased awareness.
April 16th is World Voice Day. It is the brain child of an international group of scientists, specialists, teachers, and artists who came together in 2012. One of the missions of World Voice Day is “to encourage men and women, young and old, to assess their vocal health, and take action to improve or maintain good voice habits.”
Trust me, that’s not as boring as it sounds. It’s also a day to celebrate the magic of the voice by means of a global choral concert, internationally broadcast in real-time, going from country to country, starting in the far East and ending in the far West.
You can expect a series of talks, also broadcast in real-time, as well as videos, about the many different facets of the voice. The 2016 motto is: “We tell the world.” Fifty countries are taking part, with over three hundred events.
For more information on World Voice Day, and a list of all the activities, go to http://world-voice-day.org. The website will have info on the live streams, on how to take care of your voice, warm up exercises, and educational videos from around the world. The World Voice Day Facebook page is also a good way to follow what’s going on hour by hour, on April 16th.
Your voice is unique. It’s instantaneously recognizable.
It’s the only one you were born with, and you don’t have to be a professional speaker to be nice to it.
The Dutch philosopher Erasmus was right when he said: “Prevention is better than cure.”
So, don’t wait until it’s too late. In fact, it is vital that you begin today! All the things you can do and must avoid are not only good for your voice. They will enhance your well-being across the board.
Be a pro and start taking better care of yourself. Sign up for singing lessons. Hydrate. Move those muscles. Read out loud. Warm up. Rest up. Use a mic in public places. See a specialist when you’re in pain.
And please, do me one small favor.
Don’t leave a comment saying: “Great blog, Paul. Thanks for the reminders.”
Reminders are rubbish. You file them away and forget.
If your voice becomes hoarse or raspy; if your voice feels raw, achy, or strained, or if it becomes an effort to talk after a while, I can tell you this:
“What’s it like to be a Dutch voice-over, living and working in the United States?”
Who wants to know?
Mostly European colleagues, who either think I’m totally nuts, or who secretly want to do what I did and move to this land of milk, honey, and doughnuts. Some of them have strange ideas about what my life on this side of the pond is like.
I sometimes have to explain to them that “No, I don’t live in a McMansion; there’s no giant gas guzzler parked in my garage, and I can’t call a Hollywood studio and put in a good word for you.” In fact, this American life I am leading is pretty ordinary and rather unspectacular.
I don’t know what my existence would have been like had I stayed in Holland, but in my experience, setting up shop in the States has as many advantages as disadvantages. My colleague Jamie Muffet just wrote a great piece on that very topic for Backstage, and he had me thinking.
In this day and age where all of us are part of a huge global network, does it really matter where we do our job? It’s just as easy for me to plug into a studio in Amsterdam, as it is to reach a recording facility in New York or Johannesburg. Even agents who used to insist I make a personal appearance, don’t mind if I send them an mp3 audition. Times have changed.
Although technology has made it easy to have an international presence, there’s something I must admit. It took me a good number of years to find my way here in Pennsylvania, and at times I still struggle to make sense of my surroundings and the culture I live in. Personally, and professionally. For instance, I had a hard time trying to figure out how to position myself as a voice for hire.
From a marketing perspective, it is important that clients have a clear concept of who I am, and what I bring to the table as a talent. When I first came here, people were mainly confused, and I don’t blame them. I spoke with a distinct British accent (the one I was taught in school), and most Americans thought I was from the UK. It was both a good and a bad thing.
It was good because casting directors who didn’t know any better, often hired me to play the part of a stuffy English professor. I even did a voice-over promoting a Beatles jukebox musical on Broadway. I tell you: it was fun being a fake!
There was a downside to having this posh accent. I felt that people were judging me all the time. They either thought I was highly intelligent, or a pompous ass. Of course neither is true. I can’t say it helped me define my professional identity as a native Dutch speaker. Then there was something else I stumbled upon.
Even though the United States is supposed to be this big melting pot, I’ve learned that Americans struggle with languages and accents. Many of them have never left the country, and they are rarely exposed to different tongues and twangs, the way Europeans are. Thanks to a brilliant educational system, their sense of geography tends to be off too.
A few weeks ago an agent asked me to audition for a documentary, and she was convinced my accent would be perfect. “You’re Dutch. You should nail this one,” she said. The minute I got the script I saw it was about an old ship… from Denmark. “Well, Dutch and Danish are pretty much the same, aren’t they?” the agent stated.
Not really. And Copenhagen is not the capital of the Netherlands.
Another thing I’ve had to explain over and over again, is the difference between Dutch and Flemish. Flemish is a kind of Dutch, spoken in a specific part of Belgium. It’s as different from Dutch as British English is from American English. That means you shouldn’t hire a Dutchman to voice a commercial meant for viewers in Belgium. But most people in the States don’t know that.
I used to get very annoyed with these ignorant Americans, but having lived here for over ten years, I’ve come to realize that many of them don’t know what they don’t know. Instead of holding it against them, I do my best to educate casting directors and agents, without sounding like a European know-it-all. And quite often they are very grateful for my advice.
Here’s another thing I learned the hard way.
Coming from a Calvinistic country where any form of self-aggrandizement is frowned upon, I found out that in America modesty isn’t always an asset. In fact, people like talking about themselves. A lot. If you don’t toot your own horn, who will?
I had to learn to be comfortable with my accomplishments, and speak and write about them openly. In Holland I would have been accused of bragging. Here people say: “Don’t be shy. It’s okay. You have every reason to be proud.”
When talking to a potential client or an interested agent in the U.S., I make sure to sell myself as best as I can. When I’m dealing with someone in Europe, I like to tone it down considerably.
Another thing I realized was that Americans tend to be quite informal. Before you know it, you’re on a first-name basis talking about your family with someone you barely know. It doesn’t necessarily mean that people who come across as friendly, want to be your friend. Give it a few weeks, and they might not even remember your name. Don’t take it personally.
Things are gradually shifting in Europe, but unless a new client signs his or her emails with a first name, I err on the side of caution, and I’m much more formal.
FEELING LIKE A KING
So, what’s it like to be a Dutch voice-over in the United States?
In the Netherlands we have a saying: “In the land of the blind, the guy with one eye is king.” As one of the very few native Dutch voice-overs in North-America, that’s often how I feel. I’m a small orange fish in a huge pond. In all the years I have lived here, my English accent has changed considerably. It’s no longer British, and it’s not entirely American either. As I explained to Jamie Muffet:
“Demand for a Dutch narrator isn’t exactly overwhelming, and thanks to the Internet, my competition in Holland is only one click away. My real niche is in ‘neutral English’ voiceovers, meaning my accent is neither British nor American. It’s more of a European twang, and businesses wanting to increase their global appeal hire me because of my international sound.”
If that’s not shameless self-promotion, I don’t know what is…
On occasion I go back to the Netherlands to see friends and family. I walk around in this tiny country, and I comment on how everything is so close, and how small things are. It’s guaranteed to make my Dutch friends laugh out loud.
The promised recording of the contentious interview was never released because (supposedly) the video version did not survive due to “technical problems.” Then Edge Studio and Mr. Spicer announced:
“We had every intention of releasing the recording of the event as originally stated. Unfortunately we are not in a position to post it at this time. I hope you understand our position, and that you will continue to support Edge Studio as we strive to advocate on behalf of voice actors.”
Some spoke of a falling out between “Edge” and “Voices.” Others suggested that possible legal action prevented Edge Studio from releasing the interview. Meanwhile, a SoundCloud copy of the interview has surfaced, and it is making the rounds on various VO Facebook groups.
Ciccarelli also did a webinar slash infomercial with Bill DeWees, in which DeWees solidified his reputation as Mr. Nice Guy. Some described the webinar as a “snooze fest”. Soon, the CEO of “Voices” will be on the Voice Over Cafe with Terry Daniel and company. I wonder: When will Ciccarelli be hosting Saturday Night Live?
My guess is that he had hoped the turmoil would simply subside like it has always done. But he was wrong. This time, the voice-over community reacted like a ferocious pit bull. It just wouldn’t let go.
More and more people came forward with Voices dot com horror stories, and asked questions about the Ciccarelli way of doing business. Even voice-seeking clients started complaining, and experienced voice talent began to leave the site in droves.
Newsflash: Those with unpaid Voices-profiles are now asking to be removed from the site. Ouch! Something’s clearly wrong when people don’t even want your free service anymore. One of those talents is Mike Cooper. He told Voices dot com:
“I see jobs for good money being intercepted by staff, with large percentages being creamed off the top – often without the client’s knowledge – and siphoned into the pockets of a company which I believe has become overly greedy. There is little or no transparency, and I no longer feel I want to be a part of that model.”
“Please remove my two Voiceover Experts Podcasts from your library. I do not wish that my name be associated with Voices.com until such time that you recognize that your current business practices are simply not serving the professional voiceover community, nor helping the production community understand the value of the voiceover talent.
Frankly, you are acting as an “agent” and a casting director. Then you should act like one. Go ahead and charge a commission (the escrow fee) and even charge to coordinate large jobs (as long as you don’t undercut the rate to the talent in order to do so).
However, since you are functioning as an agent, you should NOT be charging the talent a fee to be on the site.”
Connie’s podcasts have yet to be removed.
Ciccarelli finally broke his silence, but don’t think for one minute that his recent interviews and articles were meant for you. The CEO of “Voices” needed to please two types of people: bankers and politicians.
Voices.com borrowed money, and received grants from the Canadian government to grow the business into a multinational. Lenders had to be reassured that everything was A-OK in London, Ontario. Politicians needed to know that their grant money was in the hands of a capable company, especially after the political landscape changed dramatically in October.
Susan Truppe, the conservative Canadian MP for London North Centre who handed “Voices” $900,000 in 2014, was badly beaten by a liberal candidate in the last election. Her successor, political scientist Peter Fragiskatos, might not be so generous. He actually wants small businesses to use crowdfunding to raise money and grow. Unfortunately, the crowd that is willing to fund “Voices” through membership fees seems to be shrinking day by day.
In anticipation of Ciccarelli’s appearances, colleagues have asked what I make of his campaign. To tell you the truth: it leaves me cold. My feelings for “Voices” are the same as my feelings for an ex-girlfriend. We had a good time for a while, but it’s over. We split up for a reason, and it’s pointless to try and change the other person when the relationship is dead. It’s hard enough when you’re together.
Relationships that work have this in common: they are based on trust, and they meet the needs of both partners. Right now, it’s your turn to decide the following:
Do I (still) trust Voices dot com, and
Could a business relationship be mutually beneficial?
I cannot answer those questions for you. What I can do, is give you information and opinion. In the past five years I have often blogged about Voices dot com, and I have written about them in my book. I think I’ve given “Voices” enough of my time, and part of me believes I could have spent that time in a more productive way. However, I must admit that it is thoroughly gratifying to see that more and more people are getting sick and tired of being milked by a greedy company that made double and triple dipping the new norm in online casting.
A while ago, the website Success Harbor asked David Ciccarelli: “Where do you see “Voices” in the next 5 years, what is your ultimate goal?” This is part of his reply:
“It comes down to this: we really do want to dominate the industry. Meaning, be that kind of dominant player for good but the one that everyone thinks voice-overs is synonymous with, like oh yeah, I go to voices.com for that. So that means speaking to every potential customer that’s out there, having every single voice talent that practices the art and craft of voice acting, they should be on the platform as well. It’s having that omnipresence is really what we’re aiming for.”
Right now, Ciccarelli is finding out that not everyone in the industry wants to help him achieve world domination.
In a time of increased global competition, the strength of a service is determined by the quality of what’s being offered. Voices dot com has to remember that the company is only as strong and valuable as the talent it has on tap. Without acrobats, contortionists, lion tamers, and clowns, a circus is just a tent.
Ciccarelli will need to do a lot of juggling to convince people to pay in order to play under his roof.
He’s certainly not going to charm his way back into my business.
If anything can offer us a unique insight into someone’s soul, it is the human voice. The voice tells us something about someone’s mood, someone’s mind, and someone’s history.
Sometimes it’s subtle. Sometimes it cries out to you.
The voice is an example of how mind and body are clearly connected. Our tone and texture changes when we’re in love, when we’re angry, when we’re feeling insecure, and when we’re sick.
The way someone speaks can tell us where he or she is from, how (and where) someone was educated, and it reveals something about someone’s (desired) social status.
By listening to someone’s voice, experts can diagnose certain health problems. A croaky voice may indicate acid reflux. A head cold voice can point to chronic sinusitis. A hoarse voice could be a sign of laryngeal cancer.
But there’s more.
We can change the meaning of words, simply by changing our tonality. When our body language, the words we speak, and our tone of voice don’t match, we won’t be taken seriously.
People can hear we’re not sincere. In fact, sincerity is so hard to hard fake that only pros can pull it off.
You and I have been touched by certain voices. For better, or for worse. Can you think of a few?
As kids, we’ve all experienced that when our mom or dad called us with that special tone of voice, we knew we were in trouble.
Certain teachers had the uncanny ability to terrify us, because of what they said, and how they said it. So much so, that years later, we can still recall their voices, and get an instantaneous physical reaction.
Someone’s voice can also induce a very positive mood.
Perhaps it’s just me, but I could never fall in love with someone who has a horrible voice. When our beloved whispers our name in that very special way, our heart melts, and we’re almost hypnotized.
When a charismatic public speaker rallies the troops, we feel energized and inspired.
That first word from a child we brought into the world, is something we’ll always remember.
Our sensitivity to tonality comes from the time we were infants, when we learned to attribute feelings to certain words through the way they were spoken.
UNIQUE OR UNIVERSAL
Now, there’s one thing I’ve always wondered. With so many cultures, languages, and dialects in the world, are certain vocal inflections universal, or limited to one geographic area? More importantly, do they mean the same thing?
Take the tonality of love, for instance. Is that something we have in common with every person on this planet? Does “angry” sound the same, wherever we go?
Yuval Mor and Yoram Levanon spent eighteen years researching more than sixty-thousand test subjects speaking twenty-six different languages. What they found was surprising: language and culture make little difference in what they call “emotion analysis.”
Emotional Analytics is a new scientific field that focuses on identifying and analyzing the full spectrum of human emotions and personality. Yuval and Yoram’s company Beyond Verbal, has developed a way to decode vocal intonations into their underlying emotions in real-time.
It’s all based on the notion that what we say is not as important as how we say it.
THERE’S AN APP FOR THAT
In 2013, Beyond Verbal launched a free app called Moodies to extract, decode, and interpret human emotions from voice samples that are as short as twenty seconds. The app claims to give information on the speaker’s mood, his or her attitude, and on someone’s personality.
Here’s how it works.
The software examines how we speak, and listens for specific patterns. It analyzes things like pitch, tempo, pauses, and the volume of the voice. It then compares these patterns to a database of research. The ongoing analysis on the screen, is presented in clusters as the subject speaks.
To see this in action, here’s a short clip from an interview with whistleblower Edward Snowdon. Be sure to select HD in the YouTube settings before you start watching.
Beyond Verbal has an interesting YouTube channel with voice analysis of people like Steve Jobs, Jeb Bush, and Winston Churchill.
It’s important to note that analyzing emotions is very different from detecting lies. That is something the software cannot do.
Currently, the program can recognize about four hundred different emotions. The makers say it’s about eighty percent accurate.
If Beyond Verbal’s method is correct, we now have a way to find out what people really feel, in spite of what they’re saying. That information could be useful in at least three areas:
1. Person to person interaction.
Beyond Verbal software is already used in call centers. It helps market researchers to find out how people genuinely feel about products, promotions, and… politicians. Researchers can get past the socially acceptable answers, and go with the emotional response.
Voice analysis is also used in job interviews and sales meetings. It can answer questions like: “Is the client truly receptive to our offer, or merely being polite? Is this applicant really confident, or is he putting on a show?”
It turns out that it’s easier to fool people than to mislead computers.
2. Allowing machines to understand us better, and improve interaction.
At the moment, virtual assistants such as Siri and S Voice base their response on what we say, and not on how we say it. If they could read our mood, this could influence their answers. Beyond Verbal has already made their platform available to other developers to make the devices of the future more intuitive.
Let’s say we’d use voice control for a service like Netflix. Based on our intonation, Netflix could recommend movies that would fit the mood we’re in. iTunes could work the same way. Some video game controllers already respond to subtle pressure and body heat. What if they could hear our fear, and change the progress of the game accordingly?
What if voice analysis software in a car could pick up if a driver was under the influence of alcohol, or suffering from road rage? Based on that, it could start making adjustments, and e.g. slow the vehicle down.
3. Self-improvement; getting a better understanding of ourselves.
This is particularly interesting to me as a professional communicator. Quite often, there’s a disconnect between how we think we come across, and how our communication is perceived. Let’s say you have a piece of copy that needs to be read in a friendly, but convincing way. How do you know you hit the nail on the head? Do you call your coach, a friend or a colleague?
click to enlarge
I took my iPhone, opened up the Moodies app, pressed the mic button, and started reading the script. After about fifteen seconds, I got my feedback in three layers (see picture on the left). The app keeps refreshing, so you can see if your adjustments have the desired effect.
When you’re done, and you concur with the analysis, you can click “Agree,” helping the software to be more accurate in the future.
I have to admit, before I tried Moodies I was very sceptical. I mean, can a machine really detect emotions? It’s hard enough for us, humans. But when I started using it, I was surprised by the results. Whether I was speaking Dutch (my first language), or English, it was quite accurate.
Moodies didn’t tell me what I wanted to hear, like horoscopes do. It told me what I needed to hear. Based on that, I changed my tonality to match the specs of the script. Getting this type of instantaneous feedback was refreshing!
Beyond Verbal was launched in May 2013, with a 3.8 million dollar investment, and has about twenty employees.
Examiner.com named Moodies the best iPhone app of 2014, and Forbes listed it as one of the five innovative marketing solutions that can help a business grow.
This Tel Aviv-based company is definitively onto something, and it seems they’ve only scratched the surface.
Even though I believe a computer can never penetrate the depths of the human soul, it can certainly open a window to our emotions.
Today, it seems that one of the best ways to unlock that window, actually speaks for itself.
Some say that this is utterly insignificant, but I urge you to pay attention to what the masses are watching. It tells us something about people’s priorities: football and bouncing bosoms!
And I don’t even like football…
For many years, I have been downplaying the effect the world wide web has on my life, but it has become this huge black hole that doesn’t like to be ignored. I couldn’t do my job without it, but that doesn’t mean I like it.
Even though I spent many years in a newsroom, I find it harder and harder to separate online fact from opinion, information from propaganda, and sincerity from sales. Part of that has to do with the sheer volume of slick and seductive online messages I am bombarded with on any given day. I cannot properly process it anymore. My brain goes in overload, and when that happens, it loses its critical focus.
Thankfully, I still control what I allow myself to be exposed to, and for how long. Nobody tells me how many hours a day I should spend on social media. No one forces me to watch silly videos on YouTube. I can still lead a happy, balanced life without the wonders of WiFi.
Or am I kidding myself?
As you may know, I just spent eleven days abroad. The high-speed internet connection we thought we would have in our apartment, wasn’t there. So, every day we went to the nearest Hotspot to get access to the online world. Its epicenter turned out to be in the freezer section of a nearby supermarket.
Every morning, my wife and I sat down with our devices, surrounded by ice cream, pizzas, TV dinners, frozen vegetables, and frantic shoppers.
I’ll tell you one thing. Putting a Hotspot in one of the coldest places forces a person to use his time efficiently, and effectively. You should try it!
I surprised myself by how little effort it took to dump all the fluff, and get down to business. And once our online business was done, there was a whole day left to live life offline.
We walked. We talked. We connected with people in person.
We had wonderful dinners, instead of watching cooking shows.
We explored interesting sites, instead of websites.
We survived over a week without internet trolls trying to sell us stuff, and feeding us fluff.
Yes, at times being offline was mighty inconvenient, but boy did I love this digital detox! I could get so much done in very little time, and I didn’t have to stare at a screen all day long. Why did I only do this while I was out of the country?
Back home I began to limit all the electronic time suckers that used to drain the energy out of my days. I unsubscribed from automatic updates, boring groups, newsletters, and blogs I never had the time to read anyway.
I deleted half of my Facebook contacts, only to keep close friends, family members, and the people in and around the town I live in. For those interested in my voice-over work, there’s always the Nethervoice page.
And this is barely the beginning.
Liberating myself from all the impersonal online crap and clutter feels phenomenal! As I said in my very first line: “the internet is a cold and superficial place.” If you’re hoping to find true companionship, collegiality, and connection, you better look elsewhere.
That’s obviously an overgeneralization, and life simply isn’t that simple. How do I know that?
Shortly after that, I received hundreds of messages from all over the world. Some of you even sent cards and flowers. Your comforting words gave me strength, and touched me and my family deeply. Your thoughtfulness, your prayers, and your support traveled with us to the Netherlands, right to my father’s funeral.
When the moment came to deliver the eulogy, I wasn’t sure I’d be able to do it. I had imagined myself doing it, but this was different. This was the final farewell.
Right before it was my time to speak, I thought of all the things that you had written. This really moved me. As something lifted me out of my seat, I suddenly felt calm and determined. I walked towards the lectern, took a deep breath, and started to speak.
Thank you so much for caring!
Thank you for showing me that the medium we use to connect, is just a tool. Like any other tool, its use and impact depends on the integrity, the emotions, and intelligence (or lack thereof) of the people using it.
May we all use it wisely, creatively, sparingly, and caringly.
At the beginning of 2014, I took a big risk with this blog.
I no longer wanted to write about things such as:
– What is the best acoustic foam money can buy?
– Should we record standing up or sitting down?
– ISDN. Disappearing when?
– Pay to Play, Yea or Nay?
… and all the other questions that come back ad infinitum on Facebook, LinkedIn and in other social media. In Spoon-feeding Blabbermouths I vented my frustration with being asked to answer the same basic questions over and over again. I wrote:
It’s not my job to do someone else’s homework. Those who wish to make it in this field have to be proactive, independent, and resourceful. If they can’t be bothered to do a simple Google search, why should I take time out of my busy day to do it for them?
I still wanted to write about voice-over related topics, but only if the subject matter would allow me to dig deeper. As an avid snorkeler, I know that things get much more interesting under the surface of the sea.
GROWING MY READERSHIP
There’s another reason for moving away from the road much traveled. Over the years, I discovered that only a part of my readers consisted of voice-over colleagues. Many frequent visitors were fellow freelancers, artists, directors, bloggers, and entrepreneurs. If I wanted to increase my readership, I had to make sure to keep it relevant for them.
The big question is: Did I make a huge mistake or did my efforts pay off?
Well, I’ll let the numbers do the talking. At the beginning of 2014 I had about 3,000 subscribers. At the last day of that year, I counted over 32,100!
Another element in my “success formula” is the way I started using social proof. You can read about it in The Power of One. In this post I go over some of the main reasons why people buy.
A third reason for the growth of this blog (and my business) has to do with what I am willing to let go of, and how I handle problems. In Giving Up, I wrote about the things most people who want to be successful don’t wish to see or hear, and I concluded:
There is no success without setbacks, and when times are tough, you need to reconnect with what ultimately drives you.
YOUR LIFE. YOUR BUSINESS.
That is easier said than done. That’s why I wrote a series about four aspects that play a vital part in the way we live our lives, and the way we run our business. These aspects are Physical, Mental, Material and Spiritual.
The first article in this series entitled Mind Your Own Business, dealt with the physical aspect of our jobs. It inspired numerous colleagues to look at their unhealthy lifestyles, and even to go on a diet! Hundreds of pounds have been lost since then, and a number of Faffcon 7 participants received a copy of my book to celebrate those losses.
In part two, The Stuff Between Your Ears, I share 10attributes I believe to be the trademark of any successful solopreneur. In part three –Call Me Materialistic– I explore the important relationship between having the right tools for the job, and a little thing called confidence.
On June 18th I published my most personal post to date. It’s a down to earth story about spirituality, and how it relates to the work we do. Here’s a quote:
To me, leading a spiritual life acknowledges the fact that we don’t live on an island. Whether we realize it or not, we’re all part of a larger whole. We’re all connected. Our individual choices and actions have the potential to influence other individuals.
DEALING WITH DISASTER
In July I wrote another very personal story after the shooting down of Malaysia Airlines Flight 17. 298 men, women, and children of various nationalities lost their lives. About two-thirds of them were from the Netherlands. It’s called Tears, Tragedy and an End to Conflict.
We often wonder why bad things happen to good people. This prompted me to write Life’s Unfair. Get used to it!In it, I try to come to terms with senseless tragedies. Of course there are no easy answers, but that doesn’t mean we shouldn’t ask the questions.
One of the reasons I publish an overview of past posts each year, is because even the most loyal Nethervoice-followers tend to miss stories, which they often regret. Speaking of regret, the following quote is taken from an article I published in September called Forget Regret:
It’s unfair and irrational to explain or judge the past using today’s standards. Present knowledge is unhelpful because it’s limited, and colored by personal ideas of how we think this world works or should work. Present knowledge doesn’t change the past one bit. It just changes our perspective.
One thing I did not regret was publishing a series of articles on a new awards show for voice talent. The first story was called The Voice Arts™ Awards, The New Pay to Play? The follow-up, Paying For Your Prize broke all records. It was read over 3,000 times, and it prompted many heated discussions on this blog, and outside of it. People loved me for writing it, and they hated me for the same reason.
The intention of the article (…) was to hurt, not inform. Brush it off. With success and recognition comes the unfortunate trail of parasites who, lacking the erudition to create anything truly inspired, seek their sustenance from sucking the life blood of others.
Well, this “parasite” went on to write a seven-part series on script delivery and performance. See for yourself if it lacked erudition and inspiration. You can read the introduction in The Funniest Joke of the Year. In it, I ask the question:
What makes a good delivery? What’s involved; can it be learned or does it come naturally?
MASTERFUL SCRIPT DELIVERY
In The Worst Acting Advice Ever (part two), I discuss something I must have heard a million times: “Just be you, and you’ll do just fine.” Here’s a quote:
Whether on stage, in front of a camera or in the recording studio, you’re not hired to “just be you.” You’re hired to be your best, most professional self, and to make it sound (and look) perfectly spontaneous.
In How to be Believable, I tackle the next aspect of masterful delivery. Once again I try to break seemingly simple concepts down into bitesize pieces. In this case, I discuss the concept of congruence.
The next article in this series (What Clients Hate the Most) proposes that delivery is about much more than the way we read our lines. As a solopreneur, we’re judged by the way we deliver a total package. The bottom line: If you advertise yourself as a pro, you have to present yourself as a pro on ALL levels.
In The Secret to Audio Book Success, I examine how great narrators such as Jim Dale, have the ability to stay in character, and then switch character and get back to the first character, while introducing a third. They do this for hours at a time in a space smaller than a prison cell. I also introduce you to Gary Catona, the voice builder.
This series continues with The Devil is in the Delivery, which focuses on mistakes narrators make every day that cause them to lose auditions. I conclude with a story about something that’s not for sale, and yet it is one of the most sought after things in the world: Charisma. Once again, it’s one of those things everyone is talking about, but very few people have taken the trouble to demystify it. That’s exactly what I attempt to do in Defining the IT-Factor.
2014 was also the year I made my stage debut. Granted, it wasn’t Broadway, but a local historic production in which I played activist-philosopher Thomas Paine, author of Common Sense. You can read about it in my blog post Acting Out In Public, which inspired several colleagues to audition for plays in their neck of the woods. You’ll see that there’s a huge difference between the studio and the stage!
If you’ve been following this blog for a while, you know about my interest in sales and marketing. It’s something many freelancers know very little about. They always wonder: “Is there some secret way to make sure clients buy from me?” If that question interests you, I hope you will read How To Sell Without Selling.
One of the greatest obstacles to professional growth can be very close to home. Some people have a tendency to make their own life rather difficult. If that’s something you recognize, I invite you to read Getting In Our Own Way.
At the start of a new year it’s not only good to look back, but also to plan for the future. Are you going to play it safe, or will it be a year in which you dare to take some risks? Perhaps it is time to ask yourself what your job really does for you. If you’re wondering about that, I encourage you to read A Means to an End which examines the question “Why am I doing what I am doing?”
And finally, if you’re looking at your motivation, you might wonder what has held you back all this time. What reasons, excuses and rationalizations do you need to let go of, before you allow yourself and your business to grow rapidly and organically. You may find some clues in What Is Holding You Back.
If you’ve enjoyed spending a small part of your Thursday with me (that’s the day I usually publish my blog), there’s no need to thank me. I just hope you’ll share your enthusiasm with someone else who -in turn- will become a regular reader.
As long as you do your part, I promise to treat you to more thought-provoking, controversial, and insightful articles in 2015.
The shooting down of Malaysia Airlines Flight 17 was a senseless, inhumane, and barbaric act.
298 men, women and children of various nationalities lost their lives. About two-thirds of them were from the Netherlands.
As someone who was born and raised in that small country, I am devastated, and I am livid.
I am devastated by the tragic loss of innocent life. I am livid about the disrespectful way the dead have been treated, and about the way the crash site has been intentionally compromised by despicable thugs.
I am haunted by images of the smoldering wreckage fallen from the sky in sunflower-filled fields. In the horrible rubble of bent steel and burnt fuselage, a row of chairs came down undamaged, passengers still strapped in their seat belts. One photo shows the hand of a victim, palm upward, pointing at the heavens in a gesture of terror and despair.
Children’s toys, books, passports, beach sandals, and open luggage tell stories of families, lovers, AIDS experts, students, soccer fans, and flight crew. Their vibrant lives have been desecrated, and their broken bodies lie looted by locals looking for jewelry, cell phones, credit cards, and duty-free goods.
Masked men who in the past felt small and insignificant, were in charge of the crash site, empowered by big guns and cheap booze. The voice of reason and respect has been silenced by the barrel of a Kalashnikov, and a radical nationalist ideology. International observers and investigators were denied complete access. Spin doctors from all parties are still playing a sickening blame game.
In every corner of the earth, families in shock are trying to come to terms with what happened. The Dutch town of Hilversum where I spent most of my working life, lost three families. A total of 13 people perished. The mayor described visiting an elderly couple. They sat on the couch, holding hands as he came in. Not only did they lose their grandchildren, they also lost their son and daughter-in-law. Both 86-years old, the frail couple was inconsolable.
The northern town of Roden where I grew up, is also in mourning. The Van der Linde family, father Rob, mother Erna, daughter Merel (17), and son Mark (12) were looking forward to a fun vacation in Malaysia. Merel had taken her final exams, and Mark had just finished primary school.
Two other victims, Lisanne Engels and Hannah Meuleman, lived in the central town of Utrecht. That’s where I spent 19 years of my life. Lisanne studied medicine. She was on her way to do an ophthalmology internship in Malaysia. Hannah studied psychology, and was traveling to Bali with her boyfriend Pieter. She was on track to graduate after the summer.
In the next few days, most of the passengers of Flight MH17 will come back to the Netherlands for identification. Yesterday, the first forty coffins arrived, as the Netherlands observed a day of national mourning. Thousands of people lined the roads to pay their respects as the hearses passed. Thousands of others marched silently through the center of Amsterdam, wearing white. In other cities, people followed suit.
Even though I now live and work in the United States, I can’t stop thinking about the people on board of Flight MH17. I find it hard to focus on my job, and I follow every new development as it unfolds.
In the past few days, many of you have reached out to me, and I want to thank you for sharing your outrage, your frustration, and your support. It means more to me than words can express.
This crash –the deadliest airliner shootdown in history- is an example of what people can do to other people when they are driven by fear, extremism, and hate. It shows a total lack of respect for human life, decency, and dignity.
In one way, this crash is “just” a symptom of a much deeper problem. It brings us to one of the most fundamental questions we are facing today:
“How on earth can we resolve our conflicts in a peaceful way?”
If we don’t find the answer(s) to this question, more and more innocent people will be hurt by hate, and lose their lives, wherever they may live.
Of course there are no easy answers, but that doesn’t mean we should stop looking. And rather than leave it to the politicians and war lords, I think we should start close to home. Because if we can’t overcome our differences on a small scale, we don’t stand a chance when it comes to resolving the big geopolitical issues of our time.
Can I make one more suggestion?
In this quest to end conflicts peacefully, I think the women of the world should take the lead.
For centuries, men have had their chance, and they blew it big time. Macho politics has failed miserably. Instead of aggression, we need compassion. In my opinion, women are more capable of leaving their egos at the door; they are more caring and compassionate, and able to compromise.
Imagine for a moment what would happen if women were to take over in the Middle East. Would Israelis and Palestinians still be fighting each other? Would Sunnis and Shiites still kill one another? Can you imagine a UN summit led by people like Malala Yousafzai and Mary Robinson? Would the world finally take concrete steps to combat climate change, child labor, gender inequality, and starvation?
What would happen in Russia, if it weren’t led by a testosterone-driven, power-hungry, He-Man of a leader? Would it still be providing rockets to the rebels in Ukraine?
Of course it is too late for those who died on Flight MH17. But we owe it to them to try harder, to do better, and to take unusual steps to bring people together, and make peace. Let’s begin in our own backyard.
Otherwise, history will simply repeat itself, and we will soon mourn the loss of other people who do not deserve to die.
In my last post of the year, I always go back in time to highlight some of the articles you may have missed or would like to revisit.
December turned out to be Gear Month at Nethervoice, and in a way we’ve come full circle. My first contribution of 2013 was entitled “Confessions of a Hopeless Gearhead.”
If you’ve ever wondered why evaluating and selecting new gear is so subjective and challenging, you have to read this article.
CLIENTS FROM HELL
No matter in what stage of your career you are, you and I have at least one thing in common: we’re always communicating with customers. How to effectively deal with clients has been a recurring theme on this blog.
In “Rotten Carrots and Cool Clients” I will introduce you to Type A and Type B clients, and I’ll show you how you can tell the difference. Here’s the bottom line: stay away from one of them!
VIOLENT VIDEO GAMES & TIPS FOR BEGINNERS
January was the month I finally decided to open up about something I feel strongly about: violence in video games and the role voice actors play in the production of these games. In “It’s just a Game” I weigh some of the evidence on the links between violent games and violent behavior.
Makers of violent video games may proclaim that all they do is provide innocent entertainment. I’m not buying it. You may not agree with my conclusions, but I hope you’ll take a few minutes to consider what I have to say.
Another recurring theme is the position of newbies in the voice-over industry and ways in which beginners can increase their level of professionalism. In “Learning on the job” I expose one of the persistent myths that it’s totally okay to advertise yourself as a pro and treat your clients to trial-and-error sessions.
Success does not come easy in this profession, and certainly not overnight. My article “Failure is Always an Option” tells the story of a number of colleagues with great intentions who made bad decisions that killed their career. There are lessons to be learned from failure!
LET’S GET PERSONAL
Every now and then I also give you an inside look into my personal life. I don’t do that because I’m a closet-narcissist (you can read about that in “Call me a Narcissist”).
It’s because I want to draw attention to a charity I feel passionate about: the National Multiple Sclerosis Society. In “Overcoming Obstacles and Giving Back” I tell the story of how my wife discovered she has MS and how she is dealing with this confusing and unpredictable disease.
Together, readers of this blog raised over $5000 for the MS Society, making us the number #5 fundraising team out of 58 in my area. I can’t thank you enough for your incredible generosity!
Speaking of my wife, in “The Wind beneath my Wings” I blogged about the importance of having a supportive partner in this field of work. A partner can be a dear friend but also a life partner. I know for a fact that I wouldn’t be able to do what I do, if it weren’t for my better half.
As a reluctant introvert, I tend to keep things inside. “The Emotional Dilemma” is a story about how my feelings are influencing my work for better or for worse, and how I am channeling these emotions as I’m interpreting scripts.
Many people have asked my about my background as a voice actor. “How it all began” will tell you more about the early days of my voice-over career.
Of course no year goes by without me delving into some of the more technical issues that come with our job. In “Get the boom out of the room” I reveal some of my personal secrets to creating a dry recording space.
Last week I reviewed Audient’s iD22, a top-notch audio interface that is my number one pick for best new VO-gear of the year. I also tried out Microphone X from Aphex. It’s a unique USB mic with built-in analog processing.
Getting paid is always a hot topic in voice-over land. A few months ago, I wrote a series of stories on that topic, beginning with “When a client owes you” followed by “Give me my money!” If you’re still waiting for that check that was promised ages ago, and you’re wondering what you can do about it, I’m sure my tips will help you.
For those of you in Europe or with clients in that part of the world, I reported on the efforts of the EU to crack down on late payments. A new EU directive protects people like you and me against clients who demand you deliver your work yesterday and who pay whenever they feel like it.
Of course my blogging year wouldn’t be complete without mentioning two stories that turned out to be immensely popular because they dealt with one popular Pay to Play site in particular.
In “Leaving Voices.com” I told you about my falling out with this Canadian company (be sure to listen to the audio sample!).This article was widely discussed and quoted, and I added a follow-up with “As the Dust Settles.”
One of my New Year’s resolutions is to leave every online casting site that is not working in my best interest and in the best interest of our profession. I’d say that covers about ninety percent of them.
WHAT YOU CAN DO FOR ME
All in all it’s been a pretty productive year.
Many people have asked me how I manage to write a blog each week (plus guest posts), and to have a full-time voice-over career. Just read “Are You Talking To Me” for some answers, as well as tips for those thinking of starting a blog in 2014.
Of course there are many articles from 2013 that I did not mention in this overview, but I’ll leave it to you to explore more and pick your personal favorites.
If you’ve enjoyed my writing in the past twelve months, I’d like to ask you one small favor.
Please keep on sharing my stories with your friends and colleagues and stay in touch.
Your comments, friendship and collegiality continue to inspire me!
In this blog I may discuss/review products or books that I believe are relevant to my readers. As a service to them, I often provide links to those products or publications.
Instead of having a tip jar, Nethervoice is now a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to amazon.com.